I found this video from the show at Berkeley, just to think I was right there in the pit right in front of the guitarist on stage right (left side of the screen)
Wednesday, October 6, 2010
How the Rain Soothes my Soul
I found this video from the show at Berkeley, just to think I was right there in the pit right in front of the guitarist on stage right (left side of the screen)
Wednesday, September 1, 2010
From Home to Hometown

Sunday, August 29, 2010
Observe and Report
Saturday, August 28, 2010
Jumprush: the play by play

For me Jumpbrush was more than a fun dance intensive I was taking part of, it was a weekend of opportunity and experiences. I wanted to get absolutely everything I possibly could out of Jumpbrush and I, in many respects, sacrificed things a normal person would never give up to do so. I know I can come off as cold and less than inviting to the average person (and to my friends and family) because I will always put dance first. I made the decision, without realizing it in many ways, to choose dance over the people I care for. I don't take that back and I definitely don't regret it, but I understand that it can make an enemy out of me to those around.
The actual events of Jumpbrush were eye opening for me. I have taken huge intensives before with choreographers from across the country and world before but not as an Adult (yes that required a capital A) and not as a dancer looking at a career in professional dance. I am a perfectionist and my hardest critic which makes me a good dancer, I never give up and always want to find more. Which is why it was good to start with Jude, she calms me and teaches me more about my body and spirit that I would never have learned otherwise. Jude is like my spirit guide in many ways, I know when I'm around her to just shut up and listen and my answers will come.
Next was tech which involved my first experience with the PAC stage... wow, that stage is like a punch in the chest. It knocks the wind out of you and makes your body feel so small and insignificant. Therefore my challenge was to make my tiny frame fill every ounce of the space around me. I wanted to command the stage and ooze into every crevice of the audience.

I failed... at least for my first time in the space. I felt like a drowning rat, then a cat in water, then maybe a dog, and finally a frog... not graceful but not dead or drowning.
Next was Swany's class which was my first Jazz class since 10th grade (that was 5 years ago... holy shit!) I loved his class and the combo was badass to say the least... however I have a BIG bone to pick with the way he conducts the class. It became an audition, not a master class. I understand pointing out and clarifying the things you like, but the last 20 mins of class should not be dedicated to the 6 people out of 25 that you like the best and only letting them perform the combo. Personally I was not one of his top picks but I did get chosen for a couple of the small groups. I don't really care if he likes me I just had to remind myself "this isn't an audition and I don't need a job just to do MY best." I could visually see the people around me having their moods change though. I still respect Swany and I admire his work and I would consider auditioning for him in a few years but that left a bad taste in my mouth and I know that not everyone took it as neutrally as me.
Thank goodness for Angie to bring back the joy in the next class. She teaches traditional modern dance in many ways, Limon technique etc. I enjoyed pushing myself and seeing how precise and clear I could be and really MOVE. After the class we chatted and I got her card because I know she will be a great help in my search for Grad school. She lifted mine and many other's spirits.
Next I went to Composition with KT, possibly my favorite part of the entire weekend other than performing. I wish the class had been much, much longer. I love composition and creating work. The phrase she taught us was unusual and quirky, then adding my own quirk to it and creating a whole new phrase was beyond rewarding. I loved my phrase and when I found out I was got to work with Harmony I was double excited. We created a piece together that in my opinion was ready for the stage. It felt good to do and was dynamic and interesting.

After comp we all ran to the pavillion for a Convergence rehearsal. Convergence was the final piece of the Finale show. It consisted of all of the companies and teachers "converging" for the first time. It was a structured improv dance that, to be honest, was in no way an improv just structure. However it turned out beautiful and was an event.
The last official part of the day was the Moving Mural. The idea was for the dancers to completely circle the Cohan Center in a structured improv (a real one) with the help of live musicians. It was a fun way to just clear your brain and de-stress from the day. To quote my friend Leslie the moving mural was "Oh getting-out-of-one's-head happiness!"
The best part was the media coverage, I actually made the cover of the SLO City News (pictured below) from the moving mural!
After the Mural there was Salsa dancing (like every Friday at Cal Poly) Brittany, Megan and I decided dinner and a bath was a much better idea. We headed to Natural Cafe in downtown SLO and grabbed some nutritious and filling food for our tired bodies. Then it was bath time! I don't have a bath tub in my hipster house, but megan's place has 2 bathrooms and her roommates are currently not living there, so I borrowed her spare bathtub. It was wonderful a long bath with music and epsom salt followed by a lot of arnica.
DAY 2
Day 2 began with me oversleeping and not making it to Ryan Beck's Yoga class... which was probably a good thing since I was performing that night and my body needed rest. My first class was Drew's contemporary jazz class which I was really excited for. I've never met Drew or taken his class before this weekend but I have always heard a lot about him.
His class was fantastic! I had a lot of fun and felt like it could have been longer.

After that it was time for Diana's Bollywood class. My body was sooooo sore and to be honest I was in a fair bit of pain. This physical condition caused Diana's class to be a bit rougher than usual for me. However the class was rockin and I was so excited to be there and represent VV.
During lunch we had the final rehearsal for Convergence and my final time to adjust to the PAC stage. I needed that! After we converged and became slightly comfortable in the space with the piece it was time to move on. For me that meant home to pack and prep.
I decided to skip my afternoon classes in order to get everything done I needed to and to save my body for the performance that night. I went home, packed for Idaho, cleaned my dirty dishes (a week gone with a sink full of gross dishes wasn't going to happen), pack and prep my stuff for the show that night, pack a "dinner" etc...
I made it back to the theater with time to go and observe KT's comp class, which was really interesting since that class did things mine did not.
After that VV met to run both our dances for the show that night before the warm up.
While we ran our dances Daniel and KT from ODC watched, to be honest I should have marked it more than I did but I wanted to impress them. By this point my body wasn't in so much pain and moving around a lot helped so very much!
Next up was warm up! The ballet dancers and modern dancers all warmed up separately, we were in the pavilion and I believe the ballet warm up was in Spanos. KT led our warm up with Daniel's assistance which was one of the best warm up's I've had in a while. I LOVED it! It was reminiscent of the warm ups Leah gave before Balance shows.
After warm up we got in to costume and did hair and make up, which was a little more intense that our normal because the PAC is so large.

(photo curtesy of Jumpbrush: Variable Velocity receives notes after Tech )
we slowly migrated to the hallway to jump around a bit and shake off some nerves. Then it was go time and as we say "I'll see you on the other side"
Daedal went ridiculously well. I didn't feel like a drowning rat (ok there might have been a holy shit moment) and I felt big on a little stage, not little on a big stage. I'm not necessarily the tallest or biggest person you will meet but I try very hard to dance big and move larger than life. That way I'm always pushing myself to project more and fulfill the movements to my greatest extent.
Friday, July 23, 2010
That one hurt a little, that one hurt a bit more... ok that one hurt a lot!
Beginning Modern Dance combo week 2 from Lauren Chertudi on Vimeo.
They are fantastic!
(music by Chase McBride)
Tuesday night and all day Wednesday I was SUPER sick with a virus or something so I ended up not going to the last day of classes for summer school and sleeping, since I couldn't move or walk really.
Thursday I took a final from 10-12 studied from 12-4 took the second final from 4-6 and then went home and ate soup and tried not to pass out or die from a massive headache (imagine being repeatedly hit in the head with a baseball bat). I decided it would be better not to go to dance that night and Diana agreed. However it turns out afterwards Jude went to the Hospital with some strange something I still don't understand, Transient Global Amnesia. I still don't know what that means. Then this morning, Friday, I get to work about to head out to the fair and I receive a broken 8 part text from Diana and I freak out because I don't know what to do and I can't leave work to go to the hospital though I desperately want to.
I guess I feel like I've failed since I couldn't or wouldn't be there for Jude, which brings back a lot of painful memories from my past, and past regret that I can't change no matter how hard I try.
Then there is the fact that I was supposed to be in SF this weekend for the Dead Weather show but decided not to go because of finals and my new job ( I could have gotten out of both but it would have been a lot of effort and a small lie which I don't do).
It's been a tough week and I just keep wondering about my life choices and the sacrifices I make... and specifically if they're worth it. Lately I'm not so sure.
Saturday, April 17, 2010
The Ways of the Wind
I have a new laptop on the way that I am very excited about and thankful to my parents for buying me. I am so sorry the electronic gods don't seem to like me much right now. However I am hopeful that this means my string of bad luck with laptops is over!
Also I didn't receive the residency in Portland, however I am almost relieved because it was going to conflict with school, a job I wanted to apply for, moving into a new apartment etc
as well as the fact as to I'm still trying to figure out my own voice and my own viewpoint in my choreography and I don't want to put something out there I'm not 100% proud of. So I am going to keep working and keep choreographing and learning from life. I have A LOT of life left to live and not getting the position is just fine. I can apply again and again and again. It's just not my time quite yet
Monday, March 22, 2010
The Intimacy Chronicles: Under Over Through
I had a lot of fun playing with this material, it was a good release after finishing my last final.
enjoy
The Intimacy Chronicles: Under Over Through from Lauren Chertudi on Vimeo.
Tuesday, March 2, 2010
Assembly
Such potential here
assembly from jacob robinette on Vimeo.
Sunday, February 28, 2010
Trains
music by Eddie Vedder from the Into the Wild soundtrack
Saturday, February 27, 2010
Study music for the dancer mind
this is one of my favorite pieces he has composed
it reminds me of rinding on trains in Europe and the peace that the trains always gave me. Hours to just look out the window and the world around me and think. There was no problem too big to be solved on a train ride. My favorite train ride is Rouen to Paris /Paris to Rouen along the Seine.
Monday, February 22, 2010
The Intimacy Chronicles: Boxes and Curves Inspiration
take a look it is beautiful music and beautiful videography
Part 1
Part 2
Part 3
Wednesday, February 17, 2010
My Nugget of Presence
A couple of the movements are inspired by other things as well. The hand follows the veins on the inside of the arm comes from a line of poetry my friend Corey wrote while in France. And the head nuzzle on the shoulder and the hand that curls to a fist comes from a guy I knew in France as well.
Music by Sigur Ros
Enjoy
Nugget of Presence from Lauren Chertudi on Vimeo.
Thursday, February 11, 2010
Human Movement
Human Movement from Jordan Clarke on Vimeo.
Tuesday, February 9, 2010
The Body Morphic
The Body Morphic from Indelible Dance on Vimeo.
Monday, February 8, 2010
The man I want to marry! Seriously
Made in Paris from tomson on Vimeo.
My passion, my job, my life !!! from tomson on Vimeo.
Sunday, February 7, 2010
excuses excuses excuses
I hope you enjoy them, I know I do
I REALLY like this one I find it ridiculously interesting which is rare because I'm a bit ADD to be honest. I have SO many more videos to share but I'll spread them out, though I'm bursting to post them all at once. Patience is a necessary part of life...
I Am A Chain Reaction from Presstube on Vimeo.
Saturday, February 6, 2010
Dance with technology
I'm fascinated because I want to see the choreography straight up and compare it to the morphed versions that appear in this video
you must watch this twice through at least
Atelic from duckeyejey on Vimeo.
Dance Dance Dance with Bon Iver
possibly one of the COOLEST videos I have ever seen of a random acoustic collaboration. I love Lykke Li and I love Bon Iver it is like a melding of oreos and peanut butter (if you know me that is my weakness!). It makes me want to dance around and enjoy life to the fullest.
For you to enjoy over and over and over again, I know I will:
Lykke Li & Bon Iver doing 'Dance Dance Dance' in L.A from Lykke Li on Vimeo.
Friday, February 5, 2010
Soundtrack
Jonsi (who has a solo album coming out that I am super excited for) has an angelic voice so that even though I don't understand the words, it doesn't matter.
I have been in several dance pieces choreographed to Sigur Ros music and it is completely understandable. The music is complex and takes you on a journey. I love the use of instruments and rhythms along with Jonsi's voice.
Sigur Ros - Við spilum endalaust - A Take Away Show from La Blogotheque on Vimeo.
A trip across Paris in a van. Lost drumsticks. A cafe you'd never expect to visit before the age of 60. An hour of waiting, and then, voilà --a few notes on the harmonium, a grand piano, a heavenly voice. Sigur Ros on a Take Away Show.
http://www.blogotheque.net/Sigur-Ros,4783
Une traversée de Paris en van. Des baguettes oubliées. Un café qu'on n'imaginait pas visiter avant nos soixante ans. Une heure d'attente, puis voilà , quelques notes d'harmonium, un grand piano, une voix céleste.
http://www.blogotheque.net/Sigur-Ros,4782
Images : Vincent Moon
Production : Chryde
Editing : Nat
Sound : Ludovic Morin / François Clos
Sunday, January 31, 2010
Presence part 2
So I've been contemplating my nugget quite a lot lately and I keep thinking about my time in France and the effect that it had on my views of life and my way of living, specifically the awareness of self. I realized very quickly that I can never be anyone but my true self; therefore I should explore all the parts of me. The soul and/or spirit are ever changing and I found that every day I realized something new, sometimes it completely conflicted something I had just learned about myself.
Being unable to speak French and communicate through language opened another opportunity to communicate through facial expressions and movement. I had a lot of time in France to contemplate and think things through. I internalize naturally when I process new information or ideas. I don't like to share what I'm thinking or feeling I'd rather work through it alone and then share my conclusion (maybe). Especially if it makes me uncomfortable or vulnerable.
I keep thinking about presence and how each person's interacts, do they? I feel like presence creates those overwhelming instincts about people, almost like an aura that radiates. Some radiate more than others. Do we like to be around people that match our presence or do we like imbalance? Does an imbalance of presence create balance?
There was someone in France that had a presence, presence that I was addicted to. Sometimes it was great other times it was a nightmare. Which brought me to the idea of Charisma, is external charisma the same as presence? No because you can have a stern, commanding presence and not be at all charismatic. So, was it the presence of my friend's charisma that I liked? I don't know...

